Multi-band Mastering Limiter

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Elevate is the most advanced mastering plug-in ever created. This unique multi-band limiter, human-ear EQ and powerful audio maximizer will increase the loudness of your mix while maintaining or improving its dynamic perception. It uses intelligent, adaptive technology that responds in real time to your music; creating not only the loudest, but the best sounding master.

The bundle also features (3) additional plug-ins:

EQuivocate is a graphic EQ that uses filters which are modeled on the human ear. Perfect for mixing and mastering, EQuivocate's auditory filters and match EQ functionality make it incredibly powerful, simple to use, and natural sounding.

Saturate is a saturation plug-in made popular as the final Spectral Clipper stage in the Elevate plug-in. Saturate as two controls which belie a sophisticated signal processing engine which allows it to overdrive a signal without effecting the tonal balance or allowing the signal to get "tubby". This makes it ideal for overdriving an entire mix, but it works quite well on individual instruments as well. Consider placing it after Punctuate to transparently treat the transients that you may have boosted.

Punctuate is heavily based on the Transient Emphasis section of the Elevate Mastering Limiter. It is a multi-band transient modulator (sometimes called a transient designer) that uses, by default, the 26 critical bands in the human ear. In addition to using the critical bands it uses intelligent algorithms to set the parameters of the transient modulator for each band. This allows you to control the transient emphasis (or suppression) and timing across all 26 bands with just 4 controls.

Features

• Analyzes and alters the gain, speed and transients of each filter band in real time.
• Includes presets by: APS Mastering, Matt Lange, Jeremy Lubsey, Eric Beam, ROCAsound, Chris Tabron and John McCaig.
• Automatically adapts the attack, release and look-ahead parameters for each filter band to greatly reduce "pumping" and breathing artifacts and perceived distortion.
• Preserves or emphasizes fast transients to avoid squashing your mix.
• Manipulates transients across the critical bands to preserve the attacks from kick drums, snares and cymbals, without affecting the entire mix.
• Uses linear phase auditory filters — based on the Mel Scale — to manipulate the audio in a way that is natural to your inner ear.
• Solo the output of one band (or a number of bands) to hone in on problem frequencies, tweak transients or alter gain.
• Use the Auto Output Level feature to compare the limited signal to non-limited signals with the same amount of gain allowing you to easily hear what impact the processing is having on your sound.
• Use the Spectral Clipper to overdrive the final output without affecting the tonal balance or allowing the signal to get “tubby.” Perfect for a more aggressive sound.
• Six different types of metering allow you to keep an eye on every aspect of your output audio.

System Requirements